Pioneer Theater
East Village,
New York City
September 2005 schedule
| Receive our schedule every week! |
Calendar style schedule - Pioneer Theater front page
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(dir. Joseph Parlagreco, 90 mins, 2004) Weds Aug 31
5pm - buy
tix |
One man's struggle with love, faith, and gender identity CALL ME MALCOLM is a documentary about a 25 year-old transgender seminary student, and his struggle with faith, love and gender identity. As the film begins, so does Malcolm’s final summer vacation from seminary. He is unemployed, uncertain about his future as a minister, unrecognized as Malcolm by his parents and without a “love” in his life. Malcolm sits at the edge of the Grand Canyon, just as he sits at the precipice of his future. With what identity will he serve his parishioners? How will the world perceive him? Can his family learn to accept him? Who will love him? And so begins a journey of faith. A road trip across America. An effort to connect, to understand, to witness. |
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(dir. Justin Michael Morales, 77 mins, 2005) Thurs Sept 1 7pm - buy tix |
In
the Bronx, sometimes it seems like any way you turn there's a dead end.
Joey and Alamo were two kids who never had a chance, but always had each
other. Their lives are a daily obstacle course of shady characters, substance
abuse, and bad choices. One day it blows up in their faces and everything
changes, but neither has any idea how much it will cost to start a new
life. |
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A Day in the Life of New York (dir. Richard Karz, 96 mins, 2005) Thur Sept
1 9pm - buy
tix |
It was two years since the attack, just another ordinary day in New York, only normal, ordinary life was not what it used to be. Featuring hip-hop media mogul Russell Simmons, Yankees Manager Joe Torre, Police Commissioner Ray Kelly, Reverend Al Sharpton, and Salman Rushdie. “9/11/03” documents the lives of New Yorkers on Thursday, September 11, 2003, the second anniversary of 9/11, as a portrait of New York City and the nation in the post-9/11 era. It is about how the daily struggles of New Yorkers mirror the conflicts and tensions of an increasingly harsh, competitive, and violent world. And it is about how 9/11 served to reaffirm the core humanistic values of normal civilized life in a free society and to reinvigorate New York City as a model of multicultural coexistence. It is also about how the unique circumstances of the second 9/11 anniversary provided rare insight into the lessons of 9/11 and how America has been changing. |
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(dir. Gerard Damiano, 61 mins, 1972) Fri Sept
2 10:45pm - buy
tix |
The movie that changed the film industry (probably for the worse) How far does a girl have to go to untangle her tingle? Linda, frustrated that her hugely energetic sex life leaves her unsatisfied, seeks medical help. The doctor informs her that the reason for her problem is that her clitoris is mistakenly located at the back of her throat - but there is a very simple remedy, which the doctor, and various other men, proceed to demonstrate. . . |
NIGHT OF THE DAY OF THE DAWN OF THE SON OF THE BRIDE OF THE RETURN OF THE REVENGE OF THE TERROR OF THE ATTACK OF THE EVIL, MUTANT, ALIEN, FLESH-EATING, HELLBOUND, ZOMBIFIED LIVING DEAD PART 2: IN SHOCKING 2-D (dir. Jim Riffel, etc., 90 mins, 1991, etc.) Sat Sept 3 10pm - buy tix |
In
1991 filmmaker Jim Riffel took George Romero's classic horror film, NIGHT
OF THE LIVING DEAD, wiped out the soundtrack, and re-dubbed it as a comedy.
He also edited in several of his own short films and odd clips and gave
the film an unforgettable but impossible to remember title, NIGHT OF THE
DAY OF THE DAWN OF THE SON OF THE BRIDE OF THE RETURN OF THE REVENGE OF
THE TERROR OF THE ATTACK OF THE EVIL, MUTANT, HELLBOUND, FLESH-EATING,
CRAWLING, ZOMBIFIED LIVING DEAD, PART 2. He then sent out 500 VHS copies
to video stores. The entire "production" was done on a lark
and Riffel quickly forgot about the film. But the movie struck a chord
with film fans and in the mid-90's word about the movie began to spread
through the internet. Fans began to make copies of copies of copies and
websites popped up devoted to the film. The movie has now been tracked
to over 15 countries including Korea, Japan, Germany, Egypt, Mexico and
Australia and the cult continues to grow. |
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(dir. Stephen Chow, 95 mins, 2004) Sat Sept
3 midnight - buy
tix |
a
wannabe gangster aspires to join the notorious "Axe Gang.” |
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FIRST SUNDAYS Sun Sept 4 7pm - buy tix |
First Sundays is a monthly festival featuring the best in short comedy films from around the world. Each screening features new films, audience and judges awards, and an after party sponsored by Stella Artois. |
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CARNIVAL OF SOULS (dir. Herk Harvey, 78 mins, 1962) Mon Sept 5 7pm - buy tix |
Is there death after life?
Mary Henry is enjoying the day by riding around in a car with two friends. When challenged to a drag, the women accept, but are forced off of a bridge. It appears that all are drowned, until Mary, quite some time later, amazingly emerges from the river. After recovering, Mary accepts a job in a new town as a church organist, only to be dogged by a mysterious phantom figure that seems to reside in an old run-down pavilion. It is here that Mary must confront the personal demons of her spiritual insouciance.
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MALL COP (dir. David Greenspan, 97 mins, 2004) Tues Sept 6 7pm - buy tix Followed by beer and pizza reception. |
The Slamdance Film Festival presents a highlight from their 2005 festival. Frank likes working as a night watchman at the Town Center Mall. He enjoys the long peaceful hours he spends on his own. But his world is shattered one day when a robber breaks into the mall. While trying to catch the thief, Frank loses his right arm in a freak accident as a piece of glass falls from a broken display case window. Six months later Frank has lost the only job he’s ever known and he can’t seem to find a new one because of his handicap. Filled with nostalgia for his old place of work, Frank goes back to the mall. There he meets his replacement, an ex-punk, named Donna with whom he strikes up a relationship. While Donna’s strange partner, White Wedding, sleeps through their night shift, Frank and Donna hang out inside the shops of the mall. Frank is more hopeful and tells Donna about his plan to buy a new prosthetic arm. Things get complicated, however, when the young, spunky girl who works in the mall record store develops a crush on Donna. And things get even more complicated when Frank, fed up with his hopeless job search, decides he might want to rob the mall himself. The director and Slamdance staff will attend the screening. |
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HATE CRIME (dir. Tommy Stovall, 106 mins, 2004) Weds Sept 7 7pm - buy tix |
NewFest presents a highlight from their LGBT film festival. Tommy Stovall’s accomplished first feature is an intelligent dramatic thriller exploring religious compassion and intolerance, familial bonds, and how these can foster love, hate, and vengeance. Engaged couple Robbie and Trey live happily in a quiet neighborhood when trouble moves in next door in the form of Chris, the son of a scripture-spewing, homophobic fundamentalist preacher. When Trey is attacked one night while walking his dog, all fingers point toward the outwardly hostile Chris. Distrustful of the police, Robbie enlists his anti-establishment neighbor and Trey’s mother in an investigation, trial, and conviction by his own hands. Hate Crime smartly and thoughtfully contrasts people driven by vastly different motivations toward similar violent acts, twisting and turning its way toward a provocative conclusion worthy of serious debate. |
Evil City Film Festival presents The Art & Subversion of Ron English (dir. Pedro Carvajal, 78 mins, 2004) Thurs Sept 8 7pm - buy tix |
Featuring
the art of Ron English. Also featuring art by Shepard Fairey, and Cicada "A colorful
and riveting look at a subversive and his art" POPaganda: The Art & Subversion of Ron English is a film about the culture-jamming and billboard-liberation antics of Ron English. The modern day Robin Hood of Madison Avenue, Ron paints, perverts, infiltrates, reinvents and satirizes modern culture on canvas, in songs, and directly on hundreds of pirated billboards. Shot entirely guerilla-style, the film chronicles the evolution of an artist who offers an alternative universe where nothing is sacred, everything is subverted and there's always room for a little good-natured fun. |
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The Art of Motion Picture Editing (Directed and edited by Alex Shuper, 75 mins, 2004) Thur Sept
8 9pm - buy
tix |
Featuring George Lucas, Thelma Schoonmaker, Norman Jewison, Sarah Flack, Zach Staenberg, Mathilde Bonnefoy, Andrew Mondshein, Dody Dorn, Michael Ondaatje, David Wu, Christopher Tellefsen, Ron Sanders, Susan Shipton, and many more. Edge Codes.com is a radical journey through the history of film editing. Led by visionaries of the art and contemporary masters of the craft, Edge Codes.com goes beyond the cutting edge, unlocking the future of montage and exploring editing as a system profoundly shaping our perceptions of the world around us. |
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(dir. Maria Pusateri, 47 mins, 2005) Sat Sept 10 7pm - buy tix |
fundraiser screening Vito Friscia is a tough Brooklyn homicide detective who is used to ignoring his own needs. He survived the rescue efforts of 9/11 to spend months sifting through toxic rubble, searching for remnants of those who perished. An intimate portrait of a family man who was just doing his job, VITO AFTER is about mourning, coping, living with the WTC cough and overcoming denial. |
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PRIMER (dir. Shane Carruth, 78 mins, 2004)
Sat Sept 10 10:30pm - buy tix |
"An ingenious
movie about the perils of ingenuity. . .Invigorating. . .Like PI or MEMENTO,
PRIMER is the kind of movie likely to inspire both imitators and cultists.
. .Carruth has invented something fascinating." * Grand Jury Prize - Sundance Film Festival * PRIMER is set in the industrial park/suburban tract-home fringes of an unnamed contemporary city where two young engineers, Abe and Aaron, are members of a small group of men who work by day for a large corporation while conducting extracurricular experiments on their own time in a garage. While tweaking their current project, a device that reduces the apparent mass of any object placed inside it by blocking gravitational pull, they accidentally discover that it has some highly unexpected capabilities--ones that could enable them to do and to have seemingly anything they want. Taking advantage of this unique opportunity is the first challenge they face. Dealing with the consequences is the next. A ThinkFilm release. |
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Fangoria presents PLAGA ZOMBIE: ZONA MUTANTE (dir. Pablo Parés and Hernán Sáez, 100 mins, 2001) Mon Sept 12 7pm - buy tix |
PLAGA ZOMBIE: ZONA MUTANTE concerns a trio of unlikely heroes (played by Parés, Sáez and co-producer Berta Muñiz as skull-cracking wrestler John West), who battle hordes of the undead in their besieged suburban burg. The ghouls have been infected by an alien virus by the FBI, who cordon off the entire town where the trio is trapped. The three stooges must outwit the zombies and feds in their bid for survival. |
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presented by SKYY Vodka Tues Sept 13 7pm - buy tix Followed by beer and pizza reception.
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This “Life and Art” program looks at the sometimes surprising, shocking, ironic or humorous intersections of art and real life.
Terezin, 1944
Lifelike
The Artist 29
Polegadas (29 Inches) A
Higher Agency |
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FISH CAN'T FLY (dir. Tom Murray, 83 mins, 2005) Weds Sept 14 7pm - buy tix |
NewFest presents a highlight from their LGBT film festival This timely documentary explores the lives of religious gay men and lesbians as they recall the often difficult journeys they have taken to unify their sexuality and spirituality. Focusing on their experiences with “ex-gay” ministries, the subjects relate how the “cure” these programs offered did not work, and how they learned to accept all aspects of their lives without turning their backs on their faith. At times poignant and humorous, FISH CAN'T FLY is ultimately inspiring and enlightening. |
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(dir. Nan Triveni Achnas, 106 mins, 2001) Thurs Sept 15 6:30pm - buy tix |
PASIR
BERBISIK (2001) - aka WHISPERING SANDS - is a tragedy set in a landscape
as alien to most of us as the moon. Impoverished Indonesians attempt to
survive - and to maintain a social framework - under harsh desert conditions.
The bonds of friendship and family, and the demands of loyalty and honesty,
are sometimes difficult to sustain even in the U.S. When there is little food, little water, and little evidence of legal authority, these bonds and demands tend to suffer, as do the people who live under these circumstances. |
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(dir. Alison Bagnall, 98 mins, 2003) Thur Sept
15 9pm - buy
tix |
Stars Dean Wareham (frontman from bands Luna and Galaxie 500), Savannah Haske and Robert John Burke
Savannah Haske delivers a fearless performance as Fannie Pogue in writer/director Alison Bagnall's feature debut - a film by turns bittersweet and nakedly raw. Bagnall (who co-wrote "Buffalo '66") captures Fannie’s singularly fierce pursuit of the most unsuitable of suitors - Nile, played with laconic charm by Dean Wareham (of Luna and Galaxie 500 fame). Hilarious and excrutiating. |
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(dir. Laura Colella, 92 mins, 2004) Fri Sept 16 7pm - buy tix |
“A
wildly inventive and unabashedly sweet comedy. . .Gorgeously shot and
subtly acted, this playful and bold feature builds with a slow charm that
ultimately pays off big, in a chaotic finale that draws from a passion
for the limitless possibilities of cinema." “Funny
and sexy, this is a feel-good movie for the irreverent. . .This unpredictable
comedy is a refreshingly real look at a young woman seeking exotic and
erotic possibilities.” “(STAY
UNTIL TOMORROW) boasts a splendid performance from Eleanor Hutchins, as
the onetime soap star who descends on her librarian buddy and proceeds
to dismantle his ordered existence.”
STAY UNTIL TOMORROW is a funny and kaleidoscopic film-within-a-film that centers on Nina, a former teenage soap star who dropped out of college to travel the world, and then never stopped. In the several years since, she has remained attached to the adventurous lifestyle of a transcontinental drifter. Back home for a visit, she drops in unannounced on her childhood friend Jim, and asks if she can crash with him for a few days. . .which turns into a few weeks. . . "On
the one hand, STAY UNTIL TOMORROW is a road movie about an old love; on
the other hand, it's about traveling between America and Europe. It's
also a musical delicacy." |
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Sat Sept 17 7pm - buy tix |
A program of South Asian Independent Films presented in association with the 3rd I New York group. |
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(dir. Lee Sobel, 72 + 65 mins, 2005) Sat Sept 17 11pm - buy tix |
In HOTTIES, Muffy, Gyna and LaQueefa escape from a mental institution and carjack a ’65 Chevy Malibu convertible by telling the nerdy driver that if he gets in the trunk he can have sex with all three of them. Pursued by a dimwitted bounty hunter hired by the shrink who did sexperiments on the girls in the loony bin, our heroines hole up in a suburban home that turns out to be an escort service where they don gaudy outfits they find in a closet. Watching TV, they see the men that drove them to the nut house saying the most salacious things about them and set out to seek their revenge. Along the way they become avenging angels who humiliate men exploiting women. In HOTTIES II: THE HOT, THE BAD, & THE UGLY, the girls are on their way to Hollywood to become famous when they discover that three of the men humiliated by them in episode one are dressing in drag to convince the public that they are the real hotties. Meanwhile The Doc who had performed experiments on the hotties and was arrested, escapes from prison to create a sex drone army from lipstick lesbian go-go dancers to frame the hotties for murders they didn’t commit. |
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(dir. Seóna Ní Bhriain, 25 mins, 2005) Sun Sept 18 7:30pm - buy tix at door |
Zidane
is eleven years old and doesn't like his new home in Brooklyn. Working
in his parents' laundromat after school, he collects every stray quarter
he finds in the hopes of buying a one-way ticket back to Morocco. With
the help of his friend, Jamal, who is also eleven and an immigrant from
Yemen, he tries to make his way home. . . |
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(dir. Michael Sladek, 94 mins, 2003) Mon Sept 19 7pm - buy tix |
Music by Brooklyn
punk bands The Sobs and Stupid DEVILS ARE DREAMING is a bizarrre, no-budget black comedy about a guy who wants to be a great artist but has no talent. Beginning in the world of experimental theatre, careening into the world of professinal pornography, and landing sideways in suburbia, the film combines a disjointed timeline with a light comedic touch, inspired musical atmospheres with striking visuals to tell the story of a wannabe trying to find hiimself through doomed artistic pursuits. |
Woodstock Film Festival presents HARSH BEAUTY (dir. Alessandra Zeka) Tues Sept 20 7pm - buy tix |
The Woodstock Film Festival presents a highlight from their recent festival. HARSH BEAUTY follows the lives of Jyothi, Usha, and Hira Bai, three Eunuchs who live as women in India, as they struggle to find a place for themselves in a culture splintered by religion, caste and politics. Still existing as they have for centuries, the Eunuchs (or Hijra) are considered the third gender, neither men nor women. Although the Eunuchs are part of India’s ancient cultural history, they remain largely unknown outside of the country. In a society structured by rigid social codes, Jyothi and Usha found a community that welcomed them, bringing a true sense of freedom and belonging. They, like Hira Bai, desire to live openly as women, and be accepted for whom they truly believe themselves to be. A challenge in making this documentary was to enter the lives of these three Eunuchs, and without presenting an anthropological perspective, take a glance into their community and their lives. Set against the vibrant energy of the Indian metropolis, HARSH BEAUTY uses a verité feel to create intimate and personal accounts of the characters making it a unique documentary about this subject. |
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(dir. Kristin Tobiassen, 51 mins, 2004) Weds Sept 21 7pm - buy tix |
THE
AVERAGE AMERICAN is a documentary film that introduces the viewer to 100
"ordinary Americans" who roughly reflect the population of the
U.S. (according to the 2000 U.S. Census) with regards to age, race, gender,
and state of residence. The randomly-selected 100 hail from 44 of the
50 states—from big cities, small towns, and every place in between.
They run the gamut from the poorest citizens to those in the upper classes,
from recent immigrants to people so entrenched in American life that they
don’t know the nationalities of their ancestors, from high school
drop-outs to collegeprofessors. Some are world travelers, while others
have never ventured beyond the borders of their home state.
By avoiding labels such as liberal, conservative, Republican, or Democrat, the film avoids meaningless political rhetoric and delves beneath the labels to bring to light the ways we are all the same—and also the ways we are different. Understanding and tolerance is now more important than ever as our nation grows more and more politically polarized, often to the point of blind hatred for those on the other side of the political fence. |
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(dir. Adam Watstein, 96 mins, 2005) Thur Sept
22 9pm - buy
tix |
An NYC filmmaking couple moves to L.A. after winning Sundance. They have a dinner party to make new friends, only to discover people there are interested in anything but friendship. |
Jen Bekman Presents (dir. Brad Downey, Tim Hansberry, Quenell Jones, 47 mins) Thurs Sept 22 7pm - buy tix |
PUBLIC
DISCOURSE is an in-depth study of illegal installation art. The primary
focus is on the painting of street signs, advertising manipulation, metal
welding, postering and guerrilla art, all performed illegally.
PUBLIC DISCOURSE is about passionate artists who want their work to be seen by a wide range of people rather than be confined to the systemic structures of galleries and museums. This non-fiction film presents an in-depth study of the use of subversive messages, mimicking of advertising methods and the presentation of three-dimensional sculptures to the public. Shot in the classic cinema verité style using compact mini-dv and video 8 cameras, Public Discourse follows the art-making from initial idea through to exhibition, capturing the artists’ private and personal moments of exuberance and regret. |
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Fri Sept 23 7pm - buy tix |
A program of short films directed by Bill Brown |
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(dir. Lerone Wilson, 56 mins, 2005) Sun Sept 25 7pm - buy tix |
After
spending a year as a student teacher in a New York City elementary school,
documentary filmmaker Lerone Wilson explores the effects of President
Bush's momentous No Child Left Behind Act on schools across the country.
Boondoggle Films Presents a journey through the U.S. Education System through the eyes of politicians, educations, parents, and students. Additional Invormation at: www.boondogglefilms.com |
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FearsMag presents One Dark and Stormy Night Mon Sept 26 7pm - buy tix This is a "Bizarro Monday" program. Every Monday at 7pm the Pioneer presents the finest (and trashiest) in horror, sci-fi, exploitation, martial arts, genre, b-movies, and z-movies. |
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IMAGINATION: A to Z Tues Sept 27 7pm - buy tix Followed by beer and pizza reception. |
a program of short films presented by the Cinewomen, NY filmmaker group El
Episodio (3:15) Little
Wishes (17:00) To
The Sea (12.30) |
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(dir. Therese Shechter, 62 mins, 2004) Weds Sept
28 7pm - buy
tix
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"A chick
version of Michael Moore's 'Roger And Me,' but luckily, there's no real
villain."
With
music by Ani DiFranco, Lavababy, Gina Young, MoxieStarpark, "Free
to Be. . .You and Me" and the legendary Helen Reddy.
Has "Feminism" become the new F-Word? What does it mean to be a Feminist today? Join documentary filmmaker Therese Shechter as she takes a moving, funny and very personal journey into the heart of Feminism, circa 2005. Armed with a video camera, and enquiring mind and an irreverent sense of humor, Therese talks with Gloria Steinem, rowdy frat boys, a Cosmo-reading opera singer and even her own mother to find out whether Feminism can still be a source of personal and political power. |
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presented in association
with Thur Sept 29 7pm - buy tix followed by beer & pizza reception |
The 14th Street Y Presents: Lights! Camera! Jews! A Jewish Film Series All's Fair in Love and War? Featuring: My Sister, My Bride
(Bonnie Burt, 2004) 28 minutes Nuclear Physicist
Gives Son a Haircut (Hanan Harchol, 2003) 6 minutes And more. . . |
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End of the Century (dir. Jim Fields & Michael Gramaglia, 110 mins, 2003) Thurs Sept 29 9pm - buy tix |
Hey! Ho! Let's go! In 1974, the New York City music scene was shocked into consciousness by the violently new and raw sound of a band of misfits from Queens, called The Ramones. Playing in a seedy Bowery bar to a small group of fellow struggling musicians, the band struck a chord of disharmony that rocked the foundation of the mid-'70s music scene. This quartet of unlikely rock stars traveled across the country and around the world connecting with the disenfranchised everywhere, while sparking a movement that would resonate with two generations of outcasts across the globe. Although the band never reached the top of the Billboard charts, it managed to endure by maintaining a rigorous touring schedule for 22 years. |
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(dir. Hedley Turk, 87 mins, 2005) Fri Sept 30 9pm - buy tix |
Can
a ladies man ever change his ways? CHASING ERECTIONS is a gritty realistic film about the state of today’s singles as they try to find everlasting love and happiness. CHASING ERECTIONS provides a poignant and insightful look into the life of one man’s struggles with both external social issues and internal emotional questions. This entertaining film will make you laugh, it will make you think and it will make you feel. |
Pioneer Theater
Calendar-style schedule - Pioneer Theater front page